Saturday, August 29, 2015

August 30 Radio History


In 1903...Arthur Godfrey was born. Godfrey is probably best known for his "Arthur Godfrey's Talent Scout" and was one of if not the most popular radio personalities of his day.

Arthur Godfrey
On leaving the Coast Guard, Godfrey became a radio announcer for the Baltimore station WFBR (now WJZ (AM)) and moved the short distance to Washington, D.C. to become a staff announcer for NBC-owned station WRC the same year and remained there until 1934.

Recovering from a near-fatal automobile accident en route to a flying lesson in 1931 (by which time he was already an avid flyer), he decided to listen closely to the radio and realized that the stiff, formal style then used by announcers could not connect with the average radio listener; the announcers spoke in stentorian tones, as if giving a formal speech to a crowd and not communicating on a personal level. Godfrey vowed that when he returned to the airwaves, he would affect a relaxed, informal style as if he were talking to just one person. He also used that style to do his own commercials and became a regional star.


In 1934...KEX 1180 AM moved studios from the "Terminal Sales Building" to "The Oregonian" bldg. with KGW


In 1959...Brill Building songwriter Carole King, already two months pregnant, marries her writing partner Gerry Goffin in New York City. The marriage lasts nine years.




In 1966...WOR 98.7 FM changed to rock.

It was nation’s first  free-form progressive rock format. Some legendary NYC disc jockeys, including Scott Muni and Murray “The K” Kaufman, were among the original WOR-FM staffers.



WOR-FM became popular on college campuses and the station racked up impressive ratings for an FM station in those days.

But owner RKO wanted to play just the hits.  It tweaked the format in 1967 to target a traditional Top 40 audience.  Consultant Bill Drake brought a version of his “Boss Radio” format, which had been popular on other RKO stations around the nation, to WOR-FM.  New York City’s version of the format was more oldies- and adult-oriented.


In 1968...The Beatles' "Hey Jude" was released


In 1968...Wheels of Fire by Cream continued to set the pace on the album chart.  Time Peace/The Rascals' Greatest Hits was #2 and the Doors' release Waiting for the Sun was at position #3.  Aretha Now by Aretha Franklin was #4 with Johnny Rivers moving up to 5 with Realization.  Herb Alpert & the Tijuana Brass had an entry in the Top 10 (which they did nearly ever week of the 60's)--The Beat of the Brass.  The rest of the Top 10:  Bookends, the great album from Simon & Garfunkel was #7, the self-titled Steppenwolf made its way onto the list, Feliciano!  by Jose Feliciano, and Disraeli Gears, another album from Cream, was at #10.


In 1968...The Top Five:  The Rascals spent a fourth week at #1 with "People Got to Be Free", Steppenwolf was at #2 with "Born to Be Wild", Jose Feliciano edged up with "Light My Fire", the Doors were at #4 with "Hello, I Love You" and Cream had song #5--"Sunshine of My Love".


In 1991...Dottie West was critically injured in a car accident while en route to perform at the Grand Ole Opry in Nashville, TN. She died five days later.


In 2007...CIJZ Vancouver, Smooth Jazz format "Smooth Jazz 105.9" switched to Classic Hits as "Cool 105-9."


In 2011…Longtime Austin, Texas radio and TV personality/movie actor  Richard "Cactus" Pryor died  of complications from a recent fall and Alzheimer's disease at 88.  He received his nickname after the old Cactus Theater on Congress Avenue in Austin, Texas, which was run by his father, "Skinny" Pryor.

Pryor was first heard on Lady Bird Johnson's radio station 590 KLBJ, though his face became as well known as his voice once he moved to television broadcasting on Austin television station KTBC.


In 2012...Al Brady WOR FM, WWDJ, WXLO, WNBC, WABC (PD) died.

Al Brady Law
Law had three stints in New York radio from the late 1960s to the early 1980s. Law died at the age of  67. His work was varied, from air personality to programmer. His start in New York took place as WOR-FM evening jock in 1969. A year later, even though he bolted for Miami, Law was heard filling in on WWDJ, primarily on nights.

After some work in Denver, Law was back at WWDJ on a full-time basis as the station’s program director, along with his air work.  Following the short gig at ‘WDJ, Law appeared at WXLO where he was hired solely as the “99X” program director.

However, Law’s dual hats would return in a big way at WNBC Radio. In 1974, he was named a joint assistant program director and air personality. Later that year, Law took over as program director but only briefly before resuming his APD/weekend air work. He remained at the NBC flagship until 1976.



After stints in Boston and Washington, Law had another coveted New York job. Musicradio WABC was a shadow of its former self in 1979. The “D word” caused WABC to plummet. Disco 92/WKTU was the popular station in the market. It was Law’s decision to stop the bleeding by doing the unthinkable, firing Harry Harrison, George Michael, and Chuck Leonard.

Law followed the “controversial” time at WABC with, arguably, his best success: a return to the NBC family at their FM.

“I hired Al to his first GM job at WYNY. The station had a great group of talent notably Dan Daniel, Dr. Ruth Westheimer and Bill St. James,” Walter Sabo tells FishbowlNY. “Al and the PD Pete Salant took the station to a 5.0 share. His background was pure programming, not sales, and that’s why he was capable of managing such rapid audience growth.”

Eventually, he was promoted to VP of programming at NBC Radio.

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